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* Palace goes Digital (Cinemas that is, not Buck House)

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DIGITAL 3D PROJECTORS NOW AT PALACE CINEMA LOCATIONS

Palace Cinemas is delighted to announce the recent installation of state-of-the-art 3D projection technology at two of its leading locations, Palace Balwyn and Palace Dendy Brighton Cinemas.

Committed to delivering the best possible cinema experience to audiences, Palace Cinemas have made the transition from 35mm prints to digital projection at the select locations, using the superior DOLBY 3D digital system.

This innovative new projection system delivers an immersive and unbeatable sensory experience, with outstanding picture quality, colour balance, clarity and the highest level of overall viewing comfort.

Also, with the increasing availability of digital 3D titles, starting with Journey to the Centre Of The Earth on September 25, and followed by the animated Fly Me to the Moon and James Cameron’s eagerly anticipated Avatar in 2009, Palace’s installation of the DOLBY 3D digital projectors will take movie-watching to the next level, allowing audiences to view breathtaking scenery, true-to-life action, and spectacular special effects like never before.

Executive Director of Palace Cinemas, Benjamin Zeccola, says, “3D and DIGITAL projection technology are exciting developments in the history of cinema and Palace is excited to be at the forefront of digital technology and state-of-the-art projection. We invest in superior technology to deliver the best; that’s what Palace patrons have come to expect.”

 

The Italian Film Festival is almost on us.

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Two weeks to go!!! 17th Sept to Oct. 5th in Melbourne.  Went to a preview the other day and the little booklet promises some terrific films.  Start embezzling the housekeeping money NOW and book a room at the Como hotel for a couple of weeks….
 

* TWELVE CANOES WEBSITE TO GO LIVE ON 8 SEPTEMBER

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UNIQUE IMMERSIVE DIGITAL EXPERIENCE:

Following the world-wide success of Ten Canoes, the Yolngu people of Ramingining in Arnhem Land offer the world a more in depth view of their society and culture. One of the oldest cultures in existence shares  its stories using the most modern technology to bring the world
12canoes.com.au
We are proud of our community. We are proud of our history and our present.
We are proud of our children, and our artists, and our songmen,
we are proud of our whole place.
Because we are proud of all these things, we are sharing them with you.

We live in Arnhem Land, in Northern Territory of Australia.
For long time our people been wanting to show our culture to the world.
We made that film, Ten Canoes. That was really beginning of it.
So now here is our culture, our place, our history…here is 12 Canoes.
Different stories, 12 of them…Creation, and First White Men, all different parts of our history…The Swamp, and The Seasons, and Plants and Animals, all about where we live…Kinship and Language and Nowadays, how we live today.
And more than that.  Everything put together is one story.
It is us, like a painting of our story.

Twelve Canoes is a website which paints a compelling portrait of the art, culture, history and place of the Yolngu people whose homeland is the town of Ramingining and the Arafura Swamp of north-central Arnhem Land in the Northern Territory.

The high-end site is a work of art in itself; honouring the people of the Arafura swamp, and built around twelve filmed “visual poems” describing and illustrating many aspects of Yolngu history, life and culture from Creation, Our Ancestors, The Macassans, First White Men, Thomson Time, The Swamp, Plants and Animals, and Seasons, to Kinship, Ceremony, Language, and a slice of contemporary life in Nowadays.

Other features of the site include galleries which showcase Ramingining art and artists, music and songmen, language and common terms, and photographs that capture the essence of life in the region.

The website has been created and developed by filmmaker Rolf de Heer and Molly Reynolds in conjunction with a consultative committee from the Ramingining Community including Peter Minygululu, Richard Birrinbirrin (associate producer on Ten Canoes), Philip Gudthaykudthay, Peter Djigirr (co-director of Ten Canoes) and Bobby Bunungurr, all community elders and artists in their own right.

“Back in 2003, while collaborating with the Indigenous Yolngu people of Ramingining to devise a story line for the film “Ten Canoes”, a lot of material, of greatly varied subject matter, was brought in for discussion, with the individual Yolngu contributors each very keen to have their ideas incorporated, and that the film in some way should reflect the entirety of their lives, culture and history,” said filmmaker Rolf de Heer. ”There was soon general recognition that no film could achieve all that, and the idea of a website was born.”

“Twelve Canoes has been developed with the aim of showcasing Yolngu culture, in particular the people of the Arufura Swamp, to the world. They are proud of their culture and homelands, and they are proud to invite the world to share this knowledge,” said project director Molly Reynolds.
The Twelve Canoes website was designed and built by Wanted Digital. Wanted Digital  is a creative digital agency who specialises in high quality planning, design and execution of digital communications.  Their ambition with the Twelve Canoes site was to create an immersive digital experience in which the design and navigation enhances, but never overpowers, the superb content.
Mark Eland, Wanted Digital Creative Director says “we saw this as a real opportunity to leverage the online environment’s strengths by providing a experience that challenges DVD and cinema status quo by offering a more immersive state of engagement.” The site was designed to take advantage of engaging with high end video content through broadband access now and in the future.

12canoes.com.au is being hosted by the National Film and Sound Archive of Australia through their website. The National Film and Sound Archive is Australia’s national cultural institution committed to safeguarding and making as accessible the national collection of audiovisual cultural heritage to the widest possible audience.

Paolo Cherchi Usai, NFSA’s Executive Director said, “The NFSA is pleased to be the access and hosting partner in 12 Canoes as part of our commitment to support creative propositions using new technologies and to work in collaboration with Indigenous communities to support their cultural self-determination.”

TWELVE CANOES
Twelve subjects, each of which deals with a particular key aspect of Yolngu culture, place, or history, were developed, incorporating works of art, video material, stills, music and sound.

These twelve stories, poetic in nature with strong, sometimes ethereal imagery, are accompanied by words from different Ramingining story-tellers.

Creation tells of when the people of the area came into being. As there are many creation stories, this is the story of Dog Dreaming and his travels from the Swamp to the sea.

Our Ancestors describes the way the Yolngu used to live, in the old times, before the arrival of any visitors from the outside world, and how this society used to operate.

The Macassans, from the island of Sulawesi in Indonesia, were the first who came from another place. Long before the coming of the white man, the Macassans were trading partners of the Yolngu, who were introduced to cloth, metal, tobacco and sea-faring skills.

First White Men tells of the various wars, ultimately won at great cost to them, fought by the Yolngu to protect their lands and people from the encroachment by white man, including the Americans who tried ranching the land.

Thomson Time speaks of Dr Donald Thomson, the anthropologist who came to solve the turmoil in Arnhem Land in the 1930’s. Thomson learnt language, lived with, studied and befriended the people and was a great advocate for them to government.

The Swamp describes the World Heritage listed Arafura wetlands just south of Ramingining. The Swamp and its people have a historical, cultural, economic and spiritual relationship which is now threatened by a number of factors.

Plants and Animals is about the diversity of plant and animal life of the Arafura wetlands and surrounding areas, and their continuing but fragile existence in a changing world.

Seasons is about how the blooming of a flower can tell you the sharks are being born in the sea; it is about the interaction of the changing life cycles that punctuate the weather patterns of the Yolngu year.

Kinship highlights the complexity and historical importance of family structure and ancestral relationships. The expression of kinship today has evolved, but its importance and complexity remain.

Ceremony is about the rites and rituals that describe aspects of the Yolngu inner life, the ceremonies that bind the community together and keep the people and their traditions strong.

Language tells the story of how the different languages were given to the different clans of people of the region and describes the relationship of the clan groups and the people as a whole to their languages.

Nowadays captures a slice of the contemporary way of life for the Yolngu in the township of Ramingining.


A two-disc DVD version of the 12 stories and selected video extras will be released through Ronin Films.
A study guide for schools is also available.

Twelve Canoes was produced with the assistance of the Christensen Fund, Screen Australia,  the South Australian Film Corporation and the National Film & Sound Archive.

The site has been developed by Wanted Digital.

INFORMATION FOR MEDIA

THE WEBSITE
12canoes.com.au will go live on September 8.
The website will available for media preview as of August 29.

Last Updated ( Sunday, 02 November 2008 19:58 )
 

Anna Coren (at last) to leave Seven

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Sadly, it won’t be seen quite as a victory for the preservation of the English language on Television but it looks as though the ghastly Anna Coren is leaving Seven in order to pursue an overseas career.  Now please tell me, which over seas network would take on her dreadful delivery, poor grammar and inability to relax on camera?  The strained tones of the TV blondes is irksome at best, and Ms Coren is by far the worst, even outstripping Sandra Sully in mangling vowels.  The odd lighting on her during the ‘Ullympics’ seems to have revealed a weird nose job.

Why on earth can’t Australian networks reinstate some of the people who KNOW how to pronounce the language, who don’t insist on every ‘a’ being said as ‘ay’ and whose sense of the dramatic is preserved for things of real interest or importance?  The Head Prefect delivery is just too much for 6 pm.  It would be way better to keep it for the morning assembly.

And, speaking of mornings, how come both Kochie and Karl the grinning schoolboy have suddenly decided that every male should be addressed as ‘Big Fella’?

In my day, they used to say ‘Copycat from Ballarat’  but these days it is more about piss weak producers not having the guts to instruct their stars on how to deliver lines, how to avoid cliches and many other techniques that have gone to god with the demise of the gutsy producer who CARED about television as a communicating medium.

 

* ‘Pineapple Express’ …look, darn it, go if you really must but you could actually choose a good film instead.

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I am not going to say much about this as dope films, particularly when they continually extoll the virtues of puffing weed give me the irrits.  This one in particular sucks badly.

The wardrobe department could have clad Seth Rogen in better undies as even his suit couldn’t hide the fact that he dresses to the right.

Judd Apatow - your talents are so wasted… just like the heroes of this film.  James Franco is very charming though even if his Guatemalan pants reminded me just a little too much of all the Brunswick Street stoners and poseurs all of whom I could recommend a good scrubbing and a makeover to get rid of the visual impediments of that ugly street.

Anyway, if you are into dope you will love it.  The plot is slow enough so that you will be able to follow it, yes, in real time.

Good luck and please take your empty containers and spilt popcorn from the theatre after the film.

In theatres now but, mercifully, will ahve a short run before they put on some comic book franchise episode.

Bring back the Buster Crabbe serial I say!!

 


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